Father mark webber actor father how to#
Father mark webber actor father movie#

I know that a lot of this is autobiographical but is there anything that is not? Thus far, I think seeing how people to respond to that work has continued to push me to do that. They’re these little nuggets that help you connect even more to the audience member and you reflect on your own experiences. When those moments of improv kind of stick out in movies, it felt really real. It’s kind of what I always connect with and resonate, even with traditional movies as well. I think that vulnerability– real vulnerability– and really being open, honest, and truthful is what we need to see. I really, really am trying to strive for something different. When I go and make traditional films, I need to bring some of what I bring as a filmmaker to the table in order to make it interesting. I’ve kind of crossed a certain line already with myself as a performer. You know? For me personally, it’s harder for me to engage in that way now. MW: No, I’m at this point in my life where I’m a little bit bored by just actors acting. I imagine reliving any of that can be really painful so were there any elements that really gave you pause? That you were like I don’t know if this being too honest here? As long as I get to see you.” There any elements in this which are so raw and so real.

Father mark webber actor father movie#

I told her, “Hey, I want to make a movie about family using our real life as a way to put a portrait on the screen of real motherhood, real brotherhood, real trauma and how that impacts people.” My mom was like, “Alright.” My brother was like, “Okay. My mom has never shied away from taking risks and she really supports me as an artist and the same with my brother. My mom knows the type of artist that I am and I think that thankfully we’ve had a really interesting life together. It’s just using real life relationships to achieve this added level of realism. So, when I started my work as a filmmaker, really around the time of my second film, I found this process of what I like to call ‘reality cinema’. I have always have found it quite challenging to not be aware that there’s a whole group of people standing around watching me and try and look like I’m really a person who is really experiencing the things that I’m supposed to be experiencing.

Father mark webber actor father how to#

MW: Yeah, I think for me as an actor and having an opportunity to work with a lot of really great filmmakers throughout my career, it sent me through this kind of obsessive journey of realism and how to achieve that in a traditional working environment on the film set. Can you just bring me back how you brought this forward to your mom and your brother and got them involved? And how you decided to make this such a family effort?

‘Flesh and Blood’ is described as kind of part drama, part documentary and you use your family in the casting. I had the opportunity to discuss this innovative feature with Mark Webber and he spoke candidly about his homeless past, recruiting his family as performers, what he’s learned from working with great directors, and the necessity to shuck off the ego in the artist process. The film’s unassuming rawness is infectious, as is Webber’s soul-bearing central performance. We meet his activist mother, his socially awkward brother and a pair of deadbeat father figures, each losing a lifelong battle to addiction, and all help contextualize this man and the troubled life he’s lived. He excises demons both literal and metaphorical and the dissolution between the barrier of the two makes for some unchartered and often challenging cinema. With his latest feature, a documentary-cum-drama, Webber has pioneered something unclassifiable, a powerfully pure art piece where the lines of reality and fiction become blur and indistinguishable.Ī soul-thumping exercise in cinema verite, Flesh and Blood explores family relations in the context of Mark’s own family. A seasoned actor and filmmaker both, Webber has not followed a traditional path but has found success nonetheless. Fans of the darker side of cinema may recognize Mark Webber from last year’s excellent Green Room where Mark played a Nazi trying (and failing) to defect from a gnarly order of backwoods skinheads but his roots in the film world run deeper than you’d think at first glance.